Paris Review - Writers, Quotes, Biography, Interviews, Artists
The Art of Fiction No. 119. By Maya Angelou. This interview was conducted on the stage of the YMHA on Manhattan’s upper East Side. A large audience, predominantly women, was on hand, filling indeed every seat, with standees in the back . . . a testament to Maya Angelou’s drawingpower. Close to the stage was a small contingent of black women ...
The Most Misread Poem in America - The Paris Review
Sep 11, 2015 · According to Google, then, “The Road Not Taken” was, as of mid-2012, at least four times as searched as the central text of the modernist era—The Waste Land—and at least twenty-four times as searched as the most anthologized poem by Ezra Pound.By comparison, this is even greater than the margin by which the term “college football ” …
A Figure Model’s (Brief) Guide to Poses through Art History
Dec 18, 2019 · On the model stand, I could take a graceful dancer’s stance, like one of the Three Graces in this Roman replica of a Hellenistic statue, perhaps draping my arm over a prop, like an unattended easel. Or maybe crouch low to the ground, my body twisted, like Aphrodite coyly adjusting her hair, in a typical depiction of the goddess.. Following the Classical period’s introduction of a more ...
How to Really Listen to Music - The Paris Review
Aug 22, 2019 · When listening to a song, Cox explains, we immediately feel around for a way to move or sing to it. We rarely simply hear the music, he says. Instead, we comprehend it in relation to movement, either that of the performers or our own. Cox also suggests listening while driving, especially on a more scenic route.
How Picasso Bled the Women in His Life for Art
Nov 9, 2017 · There are some who see Picasso’s treatment of women in a relatively positive light: the women in his life enriched his art and, in turn, he depicted them in loving portraiture and artistic allegory. The classic example given for Picasso’s respectful relationship with women is his friendship with Gertrude Stein, which Stein fondly recounted ...
What We Know of Sappho - The Paris Review
Dec 8, 2020 · Intact, Sappho’s poems would be as alien to us as the once gaudily painted classical sculptures. In total, all the poems and fragments that have reached us, as brief, mutilated, and devoid of context as they are, add up to no more than six hundred lines. It has been calculated that around 7 percent of Sappho’s work has survived.
What We Can Learn from Neruda’s Poetry of Resistance
Mar 26, 2018 · We can all speak. We can all be part of the dialogue. And poetry can be part of the collective way we, in Neruda’s words, “explain some things.”. From Neruda and others we can see how the act of expressing ourselves, and the act of hearing, are core components of resistance—and of poetry’s unique, enduring power.
The Paris Review - The History Behind Agatha Christie’s “And Then …
Feb 5, 2016 · With all the controversy surrounding the renaming of problematic buildings, it seems fitting to draw attention to another bit of suspicious rebranding. Perhaps you’ve seen the BBC miniseries previewed above. “Agatha Christie’s And Then There Were None,” is, of course, Agatha Christie’s Ten Little Indians—which was originally, notoriously, released serially in the UK under the title ...
The Art of Fiction No. 261 - The Paris Review
The Pulitzer Prize–winning poet Sharon Olds discusses sex, religion, and writing poems that “women were definitely not supposed to write,” in an excerpt from her Art of Poetry interview with Jessica Laser. Olds also reads three of her poems: “Sisters of Sexual Treasure” (issue no. 74, Fall–Winter 1978), “True Love,” and “The Easel.”
The Paris Review - Sitting Up: A Brief History of Chairs
August 23, 2016. Arts & Culture. A brief history of chairs. Still from Lawrence of Arabia. There is a pivotal early scene in David Lean’s film Lawrence of Arabia in which T. E. Lawrence and his superior, Colonel Brighton, visit the desert encampment of Prince Faisal, a leader of the Arab Revolt. The royal tent is spartan yet luxurious ...