The film, starring Josh O'Connor and directed by Kelly Reichardt, had its premiere at the Cannes Film Festival last month.

The director Kelly Reichardt has developed something of a troupe of performers who are eager to work with her time and time again. A few of them appear in her latest film, “Showing Up.” ...

The quiet perceptions, everyday troubles and intermittent moments of transcendence that make up Kelly Reichardt’s films have always had a rhythm apart from most American movies.

Showing Up is the fourth movie that Kelly Reichardt and Michelle Williams have made together, and I hope there are many more to come. Their collaboration has given us some of Williams' most ...

Kelly Reichardt: Those films happened, and they ended up being really informative, like how people, you know, where they nap in their studio or what they’re doing with their hands or what tools ...

Like many people, Michelle Williams learned a new skill during the Covid-19 lockdowns. The five-time Oscar-nominated actor was researching for her next role in “Showing Up,” director Kelly ...

The director Kelly Reichardt was in a state of irritation at a screening of her eighth and latest feature film, “Showing Up.” Certain she had come to the theatre early, Reichardt had decided ...

Kelly Reichardt: The Oregon College of Art and Craft is, sadly, like many art schools in America, defunct. It’s been a super important institution in the Pacific Northwest for 100 years.

Cannes: Reichardt's purest genre exercise since 2013's "Night Moves" retains her patient bent toward long, lonely takes while also delivering on a few sophisticated heisty thrills.

The quiet perceptions, everyday troubles and intermittent moments of transcendence that make up Kelly Reichardt’s films have always had a rhythm apart from most American movies.

The quiet perceptions, everyday troubles and intermittent moments of transcendence that make up Kelly Reichardt’s films have always had a rhythm apart from most American movies.

The quiet perceptions, everyday troubles and intermittent moments of transcendence that make up Kelly Reichardt’s films have always had a rhythm apart from most American movies.