Discover the Nobody Reads This Art Book Fair 2026 in Warsaw. 70+ exhibitors, international publishers, talks, workshops, and ...

Design schools are progressively transformed into a highly filtered battleground of promise, illusion and disappointment, in ...

For the first time, the see-Conference took place under the guiding question: What does design have to do with democracy? On Saturday, April 25, the 20th edition of the conference once again ...

Can type be heard? With this question, the 30th Typotage at the Museum für Druckkunst Leipzig opened a weekend that ...

Fracture: Japanese Graphic Design 1875–1975 brings over a century of visual culture to life through a rare collection of printed matter, textiles, and design ephemera. Curated by designer, educator, ...

Gucci Vault is an experimental space which evolves transcending boundaries. Worlds within worlds, rooms within rooms, like nothing you’ve ever seen, yet like everything you’ve ever known, Vault is a ...

It’s been a while since I listened to Toshi Omagari’s talk at TYPO Berlin about his research on 8 pixel fonts. Growing up with video games, there are of course many fond memories of the colorful ...

Slanted Magazine #44—Type Fashion explores the intersection of typography and fashion. The issue explores the boundaries of conventional design, embracing cutting-edge typography as a dynamic canvas ...

Support Independent Type II is the highly anticipated follow-up to the acclaimed 2020 book Support Independent Type. The second edition continues to celebrate the vibrant culture of independent type ...

Auto Grotesk bridges centuries of typographic production—linking the tactile liveliness of wooden letters with the precision of digital drawing. Conceived as a wood type for letterpress printing, it ...

In graphic design, the focus is rarely on the spontaneous stroke of genius—it’s rather about a process-oriented approach to design. Digital tools, algorithms, and systems increasingly shape not only ...