The results are in for our 2022 poll of Film Comment’s contributors! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from our critics, as well as ...

The results are in for our 2023 poll of Film Comment’s contributors! On this page, you’ll find our list of the best films that were released either theatrically or virtually in 2023 in the United ...

The results are in for our 2021 poll of Film Comment’s contributors and colleagues! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from critics, as ...

Premised on illusion and promising endless reanimation, cinema is often called the ghostliest of mediums. Ghosts are themselves cinematic in essence, automatic disruptions in space and time. Movies ...

Though he’s still never been invited to present one of his own films at the festival, Christopher Nolan became the center of attention during the first weekend of Cannes this year. On Saturday, his ...

It’s all over. Well, not quite, but the 2010s did come to an end on a note of pessimism about the world, and one of resignation about the film industry’s consolidation and glut of choice. At the same ...

Paul Thomas Anderson’s latest film, Phantom Thread, a portrait of a fictional fashion designer in the couture scene of 1955 London, indulges in similar revels, placing the film firmly in the tradition ...

Two guys, tough guys, sit in the waiting room of Martin Scorsese’s Manhattan offices. Are they auditioning for Scorsese’s forthcoming Mafia movie? Are they a pair of Willem Dafoe’s roustabout apostles ...

If Satyajit Ray was the suitable boy of Indian art cinema—unthreatening, career-oriented, reliably tasteful—Ritwik Ghatak, his contemporary and principal rival, was its problem child. Where Ray’s ...

The restoration of Come and See (1985), Elem Klimov’s unblinking depiction of Nazi armies wreaking carnage on Soviet Belorussia in 1943, enables us to view this disturbing, mesmerizing epic with fresh ...

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