Click here to read Scott Macaulay's last issue, featuring Oliver Laxe and Gaspar Noé discussing Sirat, a special section ...

Nick Kouhi profiles Iranian filmmaker Amir Naderi, touching on his current efforts as a lecturer, his initial foray into filmmaking and much more.

Caleb Hammond reviews the new Nikon ZR, which shoots RED RAW footage at the “enviable price point of only $2,199.” ...

Olive Nwosu discusses working with sex workers, intimacy coordinators and a fickle gated community while making her Lagos-set ...

I have never seen the problem with fetishizing objects and fetishizing people as though they were objects,” director Amanda Kramer tells me in a conversation ahead of the release of her latest ...

“I have never seen the problem with fetishizing objects and fetishizing people as though they were objects,” director Amanda ...

Tyler Coates digs into why we should “respect the predictive power of the Independent Spirit Awards” this Oscar season.

It’s been nearly a decade since Gore Verbinski’s last feature film A Cure for Wellness hit theaters, but the director best known for creating the Pirates of the Caribbean franchise hasn’t been ...

Over at the website of the Bob Moog Foundation, electronic music historian Thom Holmes has an interesting post about some lesser-known cinematic uses of the Moog, the pioneering analog synthesizer ...

With The Empire, French filmmaker Bruno Dumont’s career is now evenly split between two modes. His first seven films operated within an identifiably Bressonian tradition, while the five films and two ...

The Busan International Film Festival saw the launch of Screen X, a cinema technology that promises to offer audiences an immersive cinematic experience without the need to wear glasses. The South ...

At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance Kid daily. That’s because a gorgeous, Western-style artwork ...