Photos Anna Kooris / © A24 / Courtesy Everett Collection. Image by Chris Panicker. There was an opportunity for Green to reveal something about the state of pop ...

If horror movies have taught us anything it’s this: Don’t go anywhere. Don’t leave your house, and if you do leave your house, don’t leave your hometown. And if you do leave your hometown, don’t go ...

Before writer/director Mark Anthony Green pivoted to filmmaking, he was an editor at GQ Magazine — he knows the world of celebrity journalism and its opulent press junkets, which provides the setting ...

In the broadest strokes, it's pretty hilarious how much of Opus feels like a case of movie déjà vu. If you've been exposed to the kind of arty horror popularized by today’s biggest independent movie ...

John Malkovich’s Alfred Moretti isn’t just a character—he’s a living critique, a distorted reflection of the pop stars we worship in modern media. In Opus, director Mark Anthony Green’s directorial ...

Opus is best enjoyed without a serving of trailers, commentary, and expectation, so if you're yet to see it, come back once you have. We can discourse about whether I am right (I am) or wrong in ...

Ariel Ecton (Ayo Edebiri), the keen and ambitious journalist at the center of Mark Anthony Green's sluggish feature debut Opus, is desperate for a big break. Like many young people in magazines, she ...

We live in an era of celebrity obsession, where hardcore stans protect their celeb of choice with feral dedication behind cartoon profile pictures and bios filled with emojis. And while this era of ...

Ayo Edebiri of The Bear is featured in Opus as a journalist named Ariel Ecton. She’s our “every lady,” the one we’re going to relate to over the course of the picture. She’s going to be doing a story ...